I make sculptures and experimental films that interrogate medium-specificity as both a conceptual schema and in the exploration of forms. Taking a phenomenological approach in which the body is the site of knowledge production situated within a non-geocentric universe, I venture to the Arctic, Biosphere 2, the Mayan Pyramids, and other geological, technological, and archaeological sites to investigate the uncanny dimensions of the natural world. Using metamorphic substances such as fossils, meteorites, electrons, plants, and heat, I engage the medium of sculpture as a critical framework to examine metaphysical questions about the nature of reality. I work in a post-minimalist tradition, combining geometric abstraction with material, form, scale, color, and texture, to strike a balance between mathematical thinking and sensual physicality. Similarly, to short-circuit cognitive operations and reclaim the intelligence of the body, my structuralist approach to moving images calls attention to the perceptual qualities of the cinematic experience. Incorporating guided meditation, GoPro footage shot on a snowmobile and diving underwater, and found footage released by the US Navy and other sources, my films unfold like surrealist objects, shapeshifting in time.

Upcoming group exhibitions include New Humans: Memories of the Future, curated by Massimiliano Gioni at the New Museum; ; Against Outer Space, curated by Zachary Korol Gold and Valerie Olson at The Beall Center for Art + Technology. Wang’s first institutional solo exhibition in New York will opened in February 2026 at the International Studio and Curatorial Program, curated by Melinda Lang with an accompanying exhibition catalogue featuring an essay by Bettina Funcke.