I make sculptures and films that use form to shift perception. My work looks at structures that exist beyond the scale of human experience—from cosmic background radiation to subatomic particles—and asks how these conditions are experienced rather than described. Instead of translating these ideas into language, I work through material and form, bringing them into the register of the body. My research takes me to sites such as the Arctic, Biosphere 2, and Mesoamerican pyramids, where scale and orientation begin to break down. These encounters inform how I work with materials already in states of transformation—fossils, meteorites, plants, and heat. I use sculpture as a way to work through these conditions, where geometry and material behavior remain in tension. The work operates between what can be measured and what can only be sensed. The hexagon entered my work through a realization that it appears across vastly different scales, from planetary formations to molecular structures. It's a stable geometry, but its recurrence cannot be fully explained. My films begin with the body. The camera moves through space rather than describing it. First-person footage, found images, and memory interfere with each other. I'm interested in the point where perception breaks from understanding.

Group exhibitions include New Humans: Memories of the Future, curated by Massimiliano Gioni at the New Museum; Palomar at The Renaissance Society, curated by Karsten Lund. Wang’s first institutional solo exhibition in New York opened in February 2026 at the International Studio and Curatorial Program, curated by Melinda Lang with an accompanying exhibition catalogue featuring an essay by Bettina Funcke.